Blue Ink # 2 – a dissociative soundtrack

Conversations on the bus are limited by a quiet decency to get along – to make no one any less comfortable than already and the tactic includes going deeply internal, into the glowing screen and headphones – put off an I get along alright vibe, thank you & thankfully not cold enough to blast the defrosters and make us sweaty, make us more uncomfortable than already.

This feels familiar and uncomfortable – anonymous, surrounded by people who care for each other, love like a credit card kept open, “enjoy your promotion.” What is doing the feeling is a sense of suspenseful unwelcome. I know I can expand within Seattle and become an interactive body among the other connected bodies…. (?) …. clearly not enough. Do you know who is hiring around here?

For this to work best it requires cleaner edges, and consistency in font size. Style must be constant enough – it is the same night confined and tessellated here after-all. Consider this a timely prototype and later patterning colors and statements and font size variable based on the importance of what is said.

We are deep within the season of edges, a thin channel walled in by socked-in coasts, like I’m in a rowboat with you and you are unaware of the dangers. Fins multiply, wind picks up – so drink up, have fresh hop while it lasts, love your freedom, assert your empathy, we will be alright, this boat is endless. I did not mean to frighten you with what you avoid.

The choice between noise-punk and indie goddess is decided with a vegan blt. It is ten past 8. Both shows start at 8. The noise punk National play last, giving me time, plenty, while they chop and slice and pile fries, toss dirty knives into a bowl of soapy water, change the radio station, shoot the shit for a minute… it will be a longer show in this manner. It will take me deeper.

(something weird happens here supposedly)

Jesus, I’m not going back there. Instead heading up to see noise at Chop Suey while this prose snowflake unfolds. If you are reading this, understand it as meta, and know this electric navy blue as the beginning of an idea. To fill little spaces, folded, of a full piece of paper, lined, torn out of a notebook, once straightened out and framed, what a nightly kaleidoscope it will make.

Disconnected to the mechanical metaphor of interlocking parts of the city with fiery clarity, this is something I know too well, this disconnection. It will take great effort to enact redemption – moxie, art. The visuals are all there, the substance is out or not quite in – the beauty of a dissociative soundtrack – a glitchy silent film – an anxious pull toward meaning, toward fulfilling work (no one is hiring, the (…?…) is violently competitive.) “Keep up your spirit,” says a whiskey label.

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One thought on “Blue Ink # 2 – a dissociative soundtrack

  1. Nate Anderson February 20, 2018 / 11:07 pm

    This is a direct translation of the notes in a night on a single piece of paper, folded into eighths.

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